In The Skipping Girl, motion is present but stripped of progression. The body is caught mid-gesture, held within black without before or after. Action becomes a state of arrest rather than movement through time.
The skipping rope suggests rhythm and repetition, yet black absorbs sequence entirely. The figure is suspended at the threshold between action and stillness, reinforcing the series’ focus on psychological containment rather than event.

Oil on Wood Panel

48w x 81.6h

121.92w x 207.26w